Fujifilm GFX 100S Body Only

GFX 100S Body Only

GFX100S builds on the ground-breaking ideas from the FUJIFILM GFX100, with a philosophy of mobility and portability, to create a camera that is positioned to provide creatives with an opportunity to take large format image-making to places it has never been before. 
Refusing to sacrifice performance for portability has allowed Fujifilm to create one of the most compact, high performance large format cameras in the world. It is more advanced than any GFX System camera to date and combines the best of Fujifilm’s imaging technology into a camera that weighs just 900g (1.9lb). Similar in size to most full-frame cameras, but beautifully engineered and designed to house a 102MP sensor - that is 1.7 times larger*2 than a full-frame sensor - GFX100S also offers up to 6-stops*1 of five-axis in-body image stabilisation (IBIS), incredibly fast and accurate autofocus, and world-renowned colour reproduction to help image makers push the limits of their creativity. 
*1 When using the FUJINON Lens GF63mmF2.8 R WR
*2    GFX100S’s image sensor measures 55mm diagonally (43.8mm x 32.9mm), providing approx. 1.7 times the area of the 35mm full-frame sensor 
Key Features:
102MP Images made at the speed of a compact mirrorless camera that only large format can provide.
Powered by Fujifilm’s high-performance quad-core X-Processor 4 CPU, GFX100S utilises its 102MP, back-illuminated large format CMOS sensor to deliver images with stunning quality. Compared to smaller, lower-resolution sensors commonly found in traditional full-frame DSLR and mirrorless cameras, GFX100S’s imaging sensor is approximately 1.7 times larger and is enhanced to be incredibly sensitive to light. This provides it with a significant advantage over smaller sensors when it comes to producing images with incredibly shallow depth of field, fantastic dynamic range, faithful colour reproduction, and outstanding high-ISO performance.
Fujifilm’s expertise in colour science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital colour processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic colour straight out of camera. The GFX100S includes a new Film Simulation mode to explore - Nostalgic Neg. Reminiscent of American New Colour Photography, which emerged in the 1970s, Nostalgic Neg continues this movement by expanding the boundaries of photographic creativity through the deliberate use of colour. Its unique tonality adds an amber tone to highlights for a softer look and boosts saturations to shadows, while preserving details, to deliver a lyrical feel to images.
High-Performance mirrorless AF made for large format, even in low-light
Unlike many other large format and medium format cameras, on-sensor phase detection pixels cover almost 100% of GFX100S’s imaging sensor, unlocking a level of autofocus performance never before seen in large format digital photography. This means the camera can acquire focus in as little as 0.18 seconds, even in luminance levels as low as -5.5EV*4, making it versatile, accurate, and incredibly fast. Powered by X-Processor 4, the camera is also easily able to efficiently make use of an updated focus tracking algorithm to keep subjects in focus when using the Tracking AF and Face/ Eye AF functions. 
*4 When using the FUJINON Lens GF80mmF1.7 R WR
Compact 5-axis in-body stabilisation delivering up to 6-stops of vibration reduction
GFX100S features a newly designed in-body image stabilisation (IBIS) system, which dramatically broadens the capability of photographers to confidently create handheld images. Compared to the unit found in FUJIFILM GFX100, the IBIS mechanism inside of GFX100S is 20% smaller and 10% lighter. However, despite this reduction in size, the five-axis system provides 6-stops of CIPA-rated image stabilisation, a 0.5-stop improvement over GFX100. 
High-performance; designed for portability and the elements
At 900g and measuring 15cm wide, 10.4cm tall, and 8.7cm deep, GFX100S’s compact body is comparable in size to many full-frame cameras. However, despite its compact size, it is somehow still able to pack in a high-performance IBIS and a 102MP imaging sensor that is almost twice the physical size of a typical full-frame sensor. The GFX100S features a redesigned shutter unit and a brand-new IBIS unit, while taking advantage of a smaller, but very efficient lithium-ion battery. This results in a camera body that is approximately 6cm (2.3in) shorter and 500g (1.1lb) lighter than the GFX100, but is able to maintain the same level of stills and video performance despite being smaller. To that end, the reduction in GFX100S’s physical size is well balanced by a highly robust grip, with a comfortable in-hand feel, that makes it exceptionally easy to hold for extended periods of time.
GFX100S is made to operate in temperatures as low as -10°C and to be dust- and moisture-resistant. It is also constructed with a magnesium alloy casing that is purposely denser around the lens mount by 1mm compared to GFX100, which provides added support for larger G Mount lenses.
Intuitive controls for a familiar experience 
GFX100S features controls that will be familiar to both new and existing GFX System photographers. For example, a PASM dial, with six programmable custom options, provides quick and direct access to frequently used settings, while a switch, conveniently located next to the mode dial, lets users quickly change between still and movie mode. An ergonomic update to the Focus Lever also makes choosing a focus point both easy and fluid.
The camera features a 3.2-inch LCD monitor on the rear and a 1.8-inch sub LCD monitor on its top plate, which can be customized to show key EXIF settings - like shutter speed, aperture, ISO sensitivity and exposure compensation - and set to display the status of key functions or available capacity on storage media. The 3.2-inch, touch-capable LCD display is a 2.36-million-dot monitor with 100% coverage that can be tilted in three directions (90° up, 45° down, and 60° right).
A large format system delivering smooth 4K30P video
With its large format imaging sensor, GFX100S is capable of recording incredibly cinematic 4K/30p movies that feature incredible shallow depth-of-field, impressive high-ISO performance, wide tonal gradation, and an overall image quality that is unmatched. Footage can be recorded at bit rates of 400Mbps in a variety of different quality levels, from 10-bit 4:2:0 F-log internally to an SD card, to 12-bit 4:2:2 ProRes RAW through the HDMI port. 
In addition to being able to record 4k footage in a 16:9 aspect ratio, the GFX100S also supports a 17:9 aspect ratio, frequently used in digital cinema. The most commonly used compression codecs, like H.264 and H.265 are also available. Additionally, professional standards, like the REC.2100 supported Hybrid Gamma Log (HLG), or F-Log can be selected for complete creative control. Compared to using commonly available compression codecs, like H.264, recording footage in F-Log or HLG gives filmmakers much more flexibility in post-production as footage is brought through the editing and colour grading process and adjustments are made to luminance, colour saturation, or any other image attribute.
For maximum flexibility with image-based adjustments and colour grading option, GFX100S can also record 4K/30P footage in 12-bit RAW, via HDMI, directly to an Atomos Ninja V Recording Monitor to later be output as ProRes RAW. This allows for all decisions about the image to be made after production, in post, free from in-camera processing. Simultaneous output of RAW footage and footage in F-Log or Hybrid Log Gamma (HLG) with a Film Simulation mode applied is also possible.
Specifications:




Model name



FUJIFILM GFX100S


Lens Mount



FUJIFILM G mount


Image sensor



43.8mm×32.9mm Bayer array with primary color filter


Number of effective pixels



102 million pixels


Sensor Cleaning System



Ultra Sonic Vibration


Image Processing Engine



X-Processor 4


Storage media



SD Card (-2GB)





SDHC Card (-32GB)





SDXC Card (-2TB)





UHS-I





UHS-II





Video Speed Class V90





*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.


File format of still image

DCF


Compliant with Design rule for Camera File system (DCF2.0)



JPEG


Exif Ver.2.3.2



RAW


16bit / 14bit RAW (RAF original format)



TIFF


8bit / 16bit RGB (In-camera Raw Conversion Only)





*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing


Number of recorded pixels

[L]

4:3

11648 x 8736




3:2

11648 x 7768




16:9

11648 x 6552




1:1

8736 x 8736




65:24

11648 x 4304




5:4

10928 x 8736




7:6

10192 x 8736



[M]

4:3

8256 x 6192




3:2

8256 x 5504




16:9

8256 x 4640




1:1

6192 x 6192




65:24

8256 x 3048




5:4

7744 x 6192




7:6

7232 x 6192



[S]

4:3

4000 x 3000




3:2

4000 x 2664




16:9

4000 x 2248




1:1

2992 x 2992




65:24

4000 x 1480




5:4

3744 x 3000




7:6

3504 x 3000


Sensitivity

Still Image

Standard Output

AUTO1





AUTO2





AUTO3





ISO100~12800 (1/3 step)




Extended Output

ISO50





ISO25600





ISO51200





ISO102400



Movie

Standard Output

AUTO





ISO200~12800 (1/3 step)




Extended Output

ISO25600


Exposure control



TTL 256-zone metering





Multi





Spot





Average





Center Weighted


Exposure mode



P (Program AE)





A (Aperture Priority AE)





S (Shutter Speed Priority AE)





M (Manual Exposure)


Exposure compensation

Still


-5.0EV~+5.0EV 1/3EV step



Movie


-2.0EV~+2.0EV 1/3EV step


Image stabilizer

Mechanism


Image sensor shift mechanism with 5-axis compensation



Compensation Effect


6.0 stops





*based on CIPA standard





*Pitch/yaw shake only





*With GF63mmF2.8 R WR lens mounted



Digital Image Stabilization


Yes (movie mode only)



IS MODE BOOST


Yes (movie mode only)


Shutter type



Focal Plane Shutter


Shutter speed

Mechanical shutter

P mode

4sec. to 1/4000sec.




A mode

30sec. to 1/4000sec.




S/M mode

60min. to 1/4000sec.




Bulb

up to 60min.



Electronic shutter

P mode

4sec. to 1/16000sec.




A mode

30sec. to 1/16000sec.




S/M mode

60min. to 1/16000sec.




Bulb

up to 60min.





*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.



Mechanical + Electronic shutter

P mode

4sec. to 1/16000sec.




A mode

30sec. to 1/16000sec.




S/M mode

60min. to 1/16000sec.




Bulb

up to 60min.





*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.



E-front + Mechanical shutter

P mode

4sec. to 1/4000sec.



(GFX: Electronic Front Curtain Shutter)

A mode

30sec. to 1/4000sec.




S/M mode

60min. to 1/4000sec.




Bulb

up to 60min.





*Electronic front curtain shutter works until 1/1250sec.





*When using the electronic front curtain shutter, the continuous shooting supports CL only



E-front + Mechanical + Electronic shutter

P mode

4sec. to 1/16000sec.



(GFX: Electronic Front Curtain Shutter + Electronic Shutter)

A mode

30sec. to 1/16000sec.




S/M mode

60min. to 1/16000sec.




Bulb

up to 60min.





*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.





*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.





*When using the electronic front curtain shutter, the continuous shooting supports CL only



Movie

DCI4K/4K

1/4000sec. - 1/4sec.




FHD

1/4000sec. - 1/4sec.





*Cannot choose slower shutter speed than framerate with LongGOP recording.



Synchronized shutter speed for flash


1/125sec. or slower



CH

Electronic shutter

2.9fps



?????? 

JPEG

64 frames




Compressed RAW

23 frames




Lossless compressed RAW

18 frames




Uncompressed RAW

15 frames



CH


5.0fps



?????? 

JPEG

42 frames




Compressed RAW

16 frames




Lossless compressed RAW

15 frames




Uncompressed RAW

14 frames



CL


2.0fps



?????? 

JPEG

Endless




Compressed RAW

45 frames




Lossless compressed RAW

22 frames




Uncompressed RAW

16 frames





*Electronic Front Curtain Shutter support CL only.





*Recordable frames depends on recording media





*Speed of continuous shooting depends on shooting environment and shooting frames


Drive Mode

AE Bracketing


2 frames





3 frames





5 frames





7 frames





9 frames





*by 1/3EV step, up to ±3EV steps



Filmsimulation bracketing


Any 3 types of film simulation selectable



Dynamic Range Bracketing


100%





200%





400%



ISO sensitivity Bracketing


±1/3EV





±2/3EV





±1EV



White Balance Bracketing


±1





±2





±3



Focus Bracketing


AUTO





MANUAL



Multiple Exposure


Yes (Max. 9 frames)





Additive





Average





Bright





Dark



Pixel Shift Multi Shot


Yes


Focus

Mode


Single AF





Continuous AF





MF



Type


Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)



Low-light Performance

Contrast

-2.5EV





GF80mmF1.7 attached




Phase Detection

-5.5EV





GF80mmF1.7 attached



AF frame selection

Single point AF

13x9 / 25x17 (Changeable size of AF frame)




Zone AF

3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid




Wide/Tracking AF

Yes (AF-S: Wide / AF-C: Tracking)




All

Yes



Face/eye detection


Yes


Flash

Sync. Mode


1st Curtain





2nd Curtain





AUTO FP (HSS)









When SHOE MOUNT FLASH is set

TTL (TTL AUTO / STANDARD / SLOW SYNC. )





MANUAL





MULTI





OFF


Hot shoe



Yes (Dedicated TTL Flash compatible)


Viewfinder

EVF


0.5 inch OLED Color Viewfinder





Approx. 3.69 million dots




Coverage of Viewing Area vs. Capturing Area

Approx. 100%




Eyepoint

Approx. 23mm (from the Rear End of the Camera's Eyepiece)




Diopter Adjustment

-4~+2m-1




Magnification

0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1




Diagonal Angle of View

approx. 38° (Horizontal angle of view: approx. 30° )





Built-In Eye Sensor


LCD monitor



3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor



Aspect Ratio


4:3



Dots


Approx. 2.36 million dots


Touch Screen Mode

Shooting Mode







AF





Focus Area





OFF





Double Tap Setting





Touch Function Setting





EVF Touch Screen Area Setting



Playback Mode


Swipe





Pinch-in / Pinch-out





Double-tap





Drag


Sub LCD monitor



1.80 inch Monochrome LCD Monitor



Aspect Ratio


4:3



Dots


303x230-dot 


Movie recording

File format

????????

MOV





MP4




????

MPEG-4 AVC/H.264





HEVC/H.265




Audio

Linear PCM / Stereo sound 24bit / 48KHz sampling





AAC



Movie compression


All Intra / Long GOP





?All Intra can be used with following settings.





  DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps





  Full HD(2048x1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps



DCI4K(17:9)

File size

4096×2160





29.97p





25p





24p





23.98p




Bitrate

400Mbps





200Mbps





100Mbps




Recording time

Up to Approx. 120min.



4K(16:9)

File size

3840×2160




Frame rate






29.97p





25p





24p





23.98p




Bitrate

400Mbps





200Mbps





100Mbps




Recording time

Up to Approx. 120min.



Full HD(17:9)

File size

2048×1080




Frame rate

59.94p





50p





29.97p





25p





24p





23.98p




Bitrate

200Mbps





100Mbps





50Mbps




Recording time

Up to Approx. 120min.



Full HD(16:9)

File size

1920×1080




Frame rate

59.94p





50p





29.97p





25p





24p





23.98p




Bitrate

200Mbps





100Mbps





50Mbps




Recording time

Up to Approx. 120min.





*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.





*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.





*Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.










*Recording time can become short depending on the temperature and/or shooting conditions


Film simulation mode



19 modes





PROVIA/Standard





Velvia/Vivid





ASTIA/Soft





Classic Chrome





PRO Neg.Hi





PRO Neg.Std





Classic Neg.





Nostalgic Neg.





ETERNA/Cinema





ETERNA BLEACH BYPASS





ACROS





ACROS + Ye Filter





ACROS + R Filter





ACROS + G Filter





Black & White





Black & White + Ye Filter





Black & White + R Filter





Black & White + G Filter





Sepia


Monochromatic Color



Yes


Grain Effect

Roughness


STRONG, WEAK, OFF



Size


LARGE, SMALL


Color Chrome Effect



STRONG, WEAK, OFF


Color chrome Blue



STRONG, WEAK, OFF


Smooth Skin Effect



STRONG, WEAK, OFF


Dynamic range setting

Still


AUTO / 100% / 200% / 400% 




ISO restriction

DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more



Movie


100% / 200% / 400% 




ISO restriction

DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more


White balance

Auto


White Priority





Auto





Ambience Priority



Custom


Custom1 - 3



Color temperature selection


2500K~10000K



Preset


Fine





Shade





Fluorescent Light-1





Fluorescent Light-2





Fluorescent Light-3





Incandescent Light





Underwater


Clarity setting



±5 steps


Self-timer



10sec.





2sec.


Interval timer shooting



Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)


Wireless transmitter

Standard


IEEE802.11b/g/n (standard wireless protocol)



Encryption


WEP/WPA/WPA2 mixed mode



Access mode


Infrastructure


Bluetooth®

Standard


Bluetooth Ver. 4.2 (Bluetooth low energy)



Operating frequency (Center frequency)


2402?2480MHz


Terminal

Digital interface


USB Type-C (USB3.2 Gen1x1)



HDMI output


HDMI Micro connector (Type D)



Others


ø3.5mm, stereo mini connector (Microphone)